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Magic Car - "Yellow Main Sequence"



The oddly titled "Yellow Main Sequence" is the debut album from Magic Car, previously known as Little Criminals, essentially a vehicle for singer-songwriter Phil Smeeton. Hailing from Nottingham, England, Magic Car's sound is steeped in the country of Hank Williams, Buck Owens and Ernest Tubb, but with a very English treatment. Although Smeeton is the sole songwriter he very wisely allows his band to express themselves throughout the 13 tracks on offer here. Wisely, because it's his vocal foil Hazel Atkinson who makes the important first impression on the listener with her arresting vocal style. Sounding like Sally Timms' harder sister Atkinson possesses one of those stop you in your tracks and melt your heart voices and also takes the lead on the opening two tracks. First up is the sad country waltz of "Too Lonesome Cowboy" followed by the lively bluegrassy "Three Cornered Hat", which incidentally will be the next single, their first as Magic Car. Phil Smeeton takes his first vocal on the downbeat "Piano Wire" a song about an old doomed from the start relationship, sung with great warmth with his cracked and weary voice.
In fact warmth just oozes from this record thanks to the production of double bass player John Thompson who allows all the players room to breathe, with subtle pedal steel and banjo melodies floating above his rich double bass. Thompson's brass arrangements on two tracks, "Downtown" and "4 In The Morning" are more North of England than Memphis and help to remind you of terraced streets not dusty highways.
Stand out track "Night So Blue" was actually the first release from the record albeit credited to the Little Criminals. It's a beautiful, romantic country ballad, which deservedly received healthy regional radio support across the UK and Ireland. There follows a couple of foot to the floor bluegrass stompers and a song called Bob Mitchum before the record closes with two curve balls.
First up the penultimate song "Shiny Cattle"(?), where Hazel comes over all Grace Slick and delivers a truly odd psychedelic folk song about, well, shiny cattle (I think). And then onto the record's closer the instrumental title track. When I say instrumental I mean that the only vocal consists of "ba, da, da, da", etc. It's dreamy pedal steel led mood piece named after our sun which is apparently a yellow magic sequence star, lovely. Leave your disc running and you will find after about 7 ½ minutes a hidden song called, I think, "Bourbon and Rye", a whiskey sodden hangover of a song set in Vegas which closes with some suitably cheesy cabaret sax.
"Yellow Main Sequence" is out soon in the UK on Tiny Dog records. www.tinydog.co.uk




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